The work of Bristol sound co-founder the musician-producer, this sharp-edged though undernourished debut feature turns a sceptical eye on 90s rave culture. Self-serving drug user David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to break into his own family home. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The bigger point – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Nevertheless, a grimly amusing standoff takes hold – David eager to get away; the Woodsman denying his container of scrumpy, determined to dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single key story turn, but it leads to a comically executed rampage on the forest trails that veers toward rural terror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of insects in the light in the early stages, he now goes all out with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
Game is in British and Irish theaters from 17 November.
